{"id":123,"date":"2023-05-19T17:49:33","date_gmt":"2023-05-19T15:49:33","guid":{"rendered":"https:\/\/paulbocquet.com\/?page_id=123"},"modified":"2026-03-24T22:07:17","modified_gmt":"2026-03-24T22:07:17","slug":"fontainebleau","status":"publish","type":"page","link":"https:\/\/paulbocquet.com\/index.php\/oeuvre\/autres-paysages\/fontainebleau\/","title":{"rendered":"Fontainebleau"},"content":{"rendered":"[et_pb_section fb_built=”1″ admin_label=”Header & FAQ” _builder_version=”4.23″ _module_preset=”default” background_color=”gcid-695690f7-1400-435d-ab5d-81e5d8a43692″ locked=”off” collapsed=”on” global_colors_info=”{%22gcid-695690f7-1400-435d-ab5d-81e5d8a43692%22:%91%22background_color%22%93}”][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Fontainebleau” _builder_version=”4.23″ _module_preset=”72fcb216-f1dc-4a6c-8b07-8ac0f000d527″ custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”1915 – 1921 : Un doux exil” _builder_version=”4.23″ _module_preset=”84181077-5b64-4ef3-ab69-ce8a9969f62a” title_font=”Cormorant Garamond|300|||||||” title_font_size=”36px” title_letter_spacing=”1px” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

La Premi\u00e8re Guerre mondiale marque une rupture dans la vie de Paul Bocquet. Contraint de quitter Reims, gravement touch\u00e9e par les bombardements, il se r\u00e9fugie avec sa famille \u00e0 Fontainebleau. De 1914 \u00e0 1921, il y s\u00e9journe longuement, d\u00e9couvrant un environnement naturel tr\u00e8s diff\u00e9rent de celui de la Champagne. La for\u00eat, les chemins sablonneux, les rochers et les clairi\u00e8res remplacent les paysages ouverts et les rives paisibles qu\u2019il fr\u00e9quentait auparavant. Dans cet exil impos\u00e9, le peintre retrouve cependant un terrain d\u2019observation privil\u00e9gi\u00e9 : la for\u00eat et le parc de Fontainebleau deviennent les nouveaux motifs de son travail.<\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau_foret-de-fontainebleau-route-de-la-roche-eponge-1915-huile-sur-toile-81-x-116-cm-scaled.jpg” alt=”Route de la roche-\u00e9ponge \u00e0 Fontainebleau, 1915 (Huile sur toile, 81 x 116 cm)” title_text=”Route de la roche-\u00e9ponge \u00e0 Fontainebleau” show_in_lightbox=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93}” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”On y trouve grand calme et une nature d\u00e9licieuse qui vous font oublier les mis\u00e8res de la guerre” _builder_version=”4.23″ _module_preset=”default” title_font=”Cormorant Garamond|300|on||||||” title_text_align=”left” custom_margin=”||-3px|||” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

– Paul \u00e0 son oncle et p\u00e8re adoptif Jean-Baptiste Langlet.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”844,843,840,841,2596,838,2594,2595,2597,839,2610,2614″ posts_number=”12″ show_title_and_caption=”off” show_pagination=”off” _builder_version=”4.23″ _module_preset=”default” title_level=”h6″ title_font=”|300|||||||” title_text_align=”center” caption_font=”Cormorant Garamond|300|||||||” pagination_font=”Cormorant Garamond|300|||||||” text_orientation=”center” box_shadow_style_image=”preset1″ box_shadow_color_image=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color_image%22%93}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau_foret-de-fontainebleau-allee-1919-scaled.jpg” alt=”Alle\u0301e en fore\u0302t de Fontainebleau, 1919″ title_text=”Alle\u0301e en fore\u0302t de Fontainebleau” show_in_lightbox=”on” _builder_version=”4.23″ _module_preset=”default” custom_margin=”||89px|||” box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}” box_shadow_spread__hover_enabled=”off|desktop”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”\u00c9volution stylistique \u2014 Regards crois\u00e9s sur les diff\u00e9rentes p\u00e9riodes” _builder_version=”4.23″ _module_preset=”default” title_level=”h2″ title_font=”Cormorant Garamond|300|||||||” title_font_size=”36px” title_letter_spacing=”1px” custom_margin=”||10px||false|false” title_font_size_tablet=”36px” title_font_size_phone=”36px” title_font_size_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

De ces six ann\u00e9es v\u00e9cues par Paul Bocquet et sa famille \u00e0 Fontainebleau, quelques caract\u00e8res essentiels doivent \u00eatre mis en relief.
Il avait quarante-sept ans \u00e0 son arriv\u00e9e en 1915, pr\u00e8s de cinquante-trois au moment du retour \u00e0 Reims en 1921. Cette p\u00e9riode, v\u00e9ritable coupure dans sa carri\u00e8re de peintre champenois, est loin d’\u00eatre indiff\u00e9rente, bien qu’elle soit mal connue. Il est vrai qu’elle a \u00e9t\u00e9 domin\u00e9e par les soucis et les angoisses de la guerre, par des difficult\u00e9s mat\u00e9rielles et des ennuis physiques, ceux de sa vue en particulier, qui ont diminu\u00e9, momentan\u00e9ment son activit\u00e9 picturale.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.23″ _module_preset=”default” background_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ box_shadow_style=”preset1″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22background_color%22%93}”][et_pb_column type=”1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23″ _module_preset=”default” text_font=”|300|||||||” background_layout=”dark” custom_margin=”|||31px|false|false” custom_padding=”||34px|||” global_colors_info=”{}”]

La laiterie du ch\u00e2teau de Fontainebleau, 1914 (Huile sur toile)<\/p>\n

<\/h2>[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau_laiterie-du-chateau-de-fontainebleau-1914-huile-sur-toile-1-1.jpg” alt=”La laiterie du ch\u00e2teau de Fontainebleau, 1914 (Huile sur toile)” title_text=”La laiterie du ch\u00e2teau de Fontainebleau” show_in_lightbox=”on” align=”center” _builder_version=”4.23″ _module_preset=”default” custom_padding=”|29px|||false|false” hover_enabled=”0″ box_shadow_style=”preset1″ box_shadow_spread=”-12px” box_shadow_color=”#FFFFFF” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Une peinture marqu\u00e9e par l\u2019atmosph\u00e8re foresti\u00e8re” _builder_version=”4.23″ _module_preset=”default” title_level=”h2″ title_font=”Cormorant Garamond|300|||||||” title_font_size=”36px” title_letter_spacing=”1px” custom_margin=”||10px||false|false” title_font_size_tablet=”36px” title_font_size_phone=”36px” title_font_size_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

Dans ces ann\u00e9es de s\u00e9jour \u00e0 Fontainebleau, Paul Bocquet poursuit son travail de paysagiste avec la m\u00eame fid\u00e9lit\u00e9 au plein air. Les \u00e9tudes qu\u2019il r\u00e9alise dans la for\u00eat t\u00e9moignent d\u2019une attention renouvel\u00e9e aux variations de lumi\u00e8re sous le couvert des arbres, aux chemins bord\u00e9s de grands ch\u00eanes ou de pins, et aux clairi\u00e8res baign\u00e9es d\u2019une lumi\u00e8re douce. M\u00eame loin de la Vesle et des paysages champenois, il conserve son approche fond\u00e9e sur l\u2019observation patiente et l\u2019impression directe. Ses tableaux de Fontainebleau traduisent ainsi une adaptation sensible \u00e0 un paysage plus dense et plus ombrag\u00e9, o\u00f9 la lumi\u00e8re filtr\u00e9e par le feuillage devient un \u00e9l\u00e9ment central de la composition.<\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/01\/fontainebleau_foret-de-fontainebleau-rochers-1917-scaled.jpg” alt=”Fore\u0302t de Fontainebleau en hiver, 1917 (Huile sur toile)” title_text=”Fore\u0302t de Fontainebleau en hiver” show_in_lightbox=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset5″ box_shadow_horizontal=”80px” box_shadow_vertical=”80px” box_shadow_spread=”-41px” box_shadow_color=”gcid-49867634-93e9-4875-ba57-768929494fb1″ global_colors_info=”{%22gcid-49867634-93e9-4875-ba57-768929494fb1%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau_sous-bois-a-fontainebleau-1908-huile-sur-toile-33-x-41-cm-1.jpg” alt=”Sous-bois a\u0300 Fontainebleau, 1908 (Huile sur toile, 33 x 41 cm)” title_text=”Sous-bois a\u0300 Fontainebleau” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau_le-banc-au-parc-de-fontainebleau-1920-huile-sur-toile.jpg” alt=”Le banc au Parc de Fontainebleau, 1920″ title_text=”Le banc au Parc de Fontainebleau” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau-en-automne-1917-huile-sur-toile.jpeg” alt=”Fontainebleau en automne, 1917 (Huile sur toile)” title_text=”Fontainebleau en automne” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

Dans l\u2019ensemble de son \u0153uvre, ces tableaux occupent une place singuli\u00e8re. Bocquet est avant tout identifi\u00e9 comme un peintre des paysages champenois : plaines ouvertes, rives de la Vesle, marais et arbres isol\u00e9s. \u00c0 Fontainebleau, il d\u00e9couvre un environnement tr\u00e8s diff\u00e9rent. La for\u00eat impose des compositions plus ferm\u00e9es, structur\u00e9es par les troncs, les sous-bois et les clairi\u00e8res. La lumi\u00e8re ne se d\u00e9ploie plus sur de vastes horizons mais se filtre entre les feuillages. Cette transformation du motif ne modifie pourtant pas profond\u00e9ment son approche.<\/p>\n

<\/p>\n

Du point de vue stylistique, les toiles de Fontainebleau prolongent les recherches qu\u2019il m\u00e8ne depuis les ann\u00e9es 1890. Bocquet ne cherche pas l\u2019effet spectaculaire des paysages forestiers c\u00e9l\u00e8bres chez certains peintres de Barbizon ; il privil\u00e9gie toujours les nuances, la douceur des transitions et les accords de tons. M\u00eame dans ce d\u00e9cor plus dense, son regard demeure attentif aux variations de lumi\u00e8re, aux harmonies de gris et aux vibrations color\u00e9es. Le paysage reste pour lui un espace de m\u00e9ditation plut\u00f4t qu\u2019un motif dramatique.<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/03\/Fontainebleau-_22lallee-du-parc22-1920-Huile-sur-toile-46-x-555-cm-scaled.jpg” alt=”L’alle\u0301e du parc, 1920 (Huile sur toile, 46 x 55,5 cm)” title_text=”L’alle\u0301e du parc, 1920″ show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93,%22gcid-31f03ac4-8397-458d-ba5d-7828186313be%22:%91%22border_color_all%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau_les-rochers-en-foret-de-fontainebleau-en-automne-1919-huile-sur-toile-33-x-41-cm.jpg” alt=”Les rochers en foret de Fontainebleau en automne” title_text=”Les rochers en foret de Fontainebleau en automne” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.25.1″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau-1917-huile-sur-toile.jpg” alt=”For\u00eat de Fontainebleau, 1917 (Huile sur toile)” title_text=”For\u00eat de Fontainebleau” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” border_width_all=”80px” border_color_all=”gcid-31f03ac4-8397-458d-ba5d-7828186313be” box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93,%22gcid-31f03ac4-8397-458d-ba5d-7828186313be%22:%91%22border_color_all%22%93}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/01\/fontainebleau_foret-de-fontainebleau-en-hiver-1917-295-x-195-cm-2.jpg” alt=”La fore\u0302t de Fontainebleau en hiver, 1917 (29,5 x 19,5 cm)” title_text=”La fore\u0302t de Fontainebleau en hiver” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column 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src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/05\/fontainebleau_foret-de-fontainebleau-les-bouleaux-1920.jpg” alt=”Les bouleaux en fore\u0302t de Fontainebleau, 1920″ title_text=”Les bouleaux en fore\u0302t de Fontainebleau” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” show_in_lightbox=”on”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”129,2610,2612,2614,2615,2616,2617,2618,140,143,134,138,141,148,150″ posts_number=”34″ show_title_and_caption=”off” _builder_version=”4.23″ _module_preset=”default” title_font=”|300|||||||” title_text_align=”center” title_font_size=”14px” caption_text_align=”center” pagination_text_color=”#000000″ border_color_all=”#000000″ box_shadow_style_image=”preset1″ 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La Premi\u00e8re Guerre mondiale marque une rupture dans la vie de Paul Bocquet. Contraint de quitter Reims, gravement touch\u00e9e par les bombardements, il se r\u00e9fugie avec sa famille \u00e0 Fontainebleau. De 1914 \u00e0 1921, il y s\u00e9journe longuement, d\u00e9couvrant un environnement naturel tr\u00e8s diff\u00e9rent de celui de la Champagne. La for\u00eat, les chemins sablonneux, les […]<\/p>\n","protected":false},"author":2,"featured_media":135,"parent":1073,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

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1915 - 1921 :
Un doux exil.<\/h2>\n\n\n\n

La vie d'inaction \u00e0 Paris p\u00e8se \u00e0 Paul Bocquet. Ne pouvant retourner \u00e0 Coeuvres<\/a> occup\u00e9 par l'ennemi Allemand, Paul et Juliette d\u00e9cident - aussi par discr\u00e9tion - de quitter le 28 juin 1915 la rue de Dunkerque (\u00e0 Reims), et de s'installer \u00e0 Fontainebleau jusqu'en 1921. Les arbres, la for\u00eat manquent trop au peintre et il peut retrouver l\u00e0 sa communion avec le paysage.<\/p>\n\n\n\n

Il \u00e9crira le jour de son arriv\u00e9e \u00e0 son oncle Jean-Baptiste Langlet et p\u00e8re adoptif : \u00ab on y trouve grand calme et une nature d\u00e9licieuse qui vous font oublier les mis\u00e8res de la guerre<\/em> \u00bb. Ils occupent d'abord une petite maison pendant un an, puis vivent pendant 5 ans \u00e0 Avon (au 23 rue de la Haute Bercelle), pr\u00e8s de la route de la Roche Eponge et l'entr\u00e9e du Parc. <\/p>\n<\/div>\n\n\n\n

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\"Alle\u0301e<\/figure><\/div>
\"Les<\/figure>
\"Alle\u0301e<\/figure><\/div><\/div>
\"Fontainebleau<\/figure>
\"Le<\/figure><\/div>
\"La<\/figure><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"Alle\u0301e<\/figure>\n\n\n\n
\"Carrefour<\/figure>\n<\/figure>\n\n\n\n
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De ces six ann\u00e9es v\u00e9cues par Paul Bocquet et sa famille \u00e0 Fontainebleau, quelques caract\u00e8res essentiels doivent \u00eatre mis en relief.
Il avait quarante-sept ans \u00e0 son arriv\u00e9e en 1915, pr\u00e8s de cinquante-trois au moment du retour \u00e0 Reims en 1921. Cette p\u00e9riode, v\u00e9ritable coupure dans sa carri\u00e8re de peintre champenois, est loin d'\u00eatre indiff\u00e9rente, bien qu'elle soit mal connue. Il est vrai qu'elle a \u00e9t\u00e9 domin\u00e9e par les soucis et les angoisses de la guerre, par des difficult\u00e9s mat\u00e9rielles et des ennuis physiques, ceux de sa vue en particulier, qui ont diminu\u00e9, momentan\u00e9ment son activit\u00e9 picturale.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\"Fore\u0302t<\/figure><\/div>
\"Les<\/figure><\/div>
\"Fore\u0302t<\/figure><\/div><\/div><\/div><\/div>\n\n\n\n
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\"Route<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
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\"For\u00eat<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
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\"La<\/figure>\n\n\n\n
\"Fore\u0302t<\/figure>\n\n\n\n
\"Les<\/figure>\n\n\n\n
\"Fore\u0302t<\/figure>\n\n\n\n
\"Rochers<\/figure>\n\n\n\n
\"Fore\u0302t<\/figure>\n\n\n\n
\"Fontainebleau,<\/figure>\n\n\n\n
\"Sous-bois<\/figure>\n\n\n\n
\"Fontainebleau,<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
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\"Fore\u0302t<\/figure>\n\n\n\n
\"Rochers<\/figure>\n\n\n\n
\"Rochers<\/figure>\n\n\n\n
\"Les<\/figure>\n\n\n\n
\"La<\/figure>\n\n\n\n
\"Le<\/figure>\n<\/figure>\n\n\n\n
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La For\u00eat : Fusains et Crayons.<\/h2>\n\n\n\n
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\"Fore\u0302t<\/figure>\n\n\n\n
\"Fore\u0302t<\/figure>\n\n\n\n
\"Fore\u0302t<\/figure>\n\n\n\n
\"Laiterie<\/figure>\n\n\n\n
\"Fore\u0302t<\/figure>\n\n\n\n
\"Sous<\/figure>\n\n\n\n
\"Croquis<\/figure>\n\n\n\n
\"Fontainebleau<\/figure>\n\n\n\n
\"Arbre<\/figure>\n\n\n\n
\"La<\/figure>\n\n\n\n
\"Fore\u0302t<\/figure>\n<\/figure>\n","_et_gb_content_width":"","footnotes":""},"class_list":["post-123","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/comments?post=123"}],"version-history":[{"count":9,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/123\/revisions"}],"predecessor-version":[{"id":3130,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/123\/revisions\/3130"}],"up":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/1073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/media\/135"}],"wp:attachment":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/media?parent=123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}