{"id":1071,"date":"2023-09-22T19:56:06","date_gmt":"2023-09-22T17:56:06","guid":{"rendered":"https:\/\/paulbocquet.com\/?page_id=1071"},"modified":"2026-03-22T21:12:37","modified_gmt":"2026-03-22T21:12:37","slug":"autour-de-reims","status":"publish","type":"page","link":"https:\/\/paulbocquet.com\/index.php\/oeuvre\/paysages-champenois\/autour-de-reims\/","title":{"rendered":"Autour de Reims"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Header & FAQ” _builder_version=”4.25.1″ _module_preset=”default” background_color=”gcid-695690f7-1400-435d-ab5d-81e5d8a43692″ custom_padding=”20px||19px|||” locked=”off” collapsed=”on” global_colors_info=”{%22gcid-695690f7-1400-435d-ab5d-81e5d8a43692%22:%91%22background_color%22%93}”][et_pb_row _builder_version=”4.25.1″ _module_preset=”default” custom_padding=”8px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Autour de Reims” _builder_version=”4.25.1″ _module_preset=”887d95b4-c96f-4d57-bb0c-649f5fbce0ec” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.25.1″ _module_preset=”default” custom_padding=”||8px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Le paysage comme fid\u00e9lit\u00e9” _builder_version=”4.23″ _module_preset=”8383cc78-e988-4112-be71-88f36bab4b22″ custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_heading][et_pb_text quote_border_color=”#bf6631″ _builder_version=”4.23″ _module_preset=”4d280c22-4978-4a5f-a220-122a8904331d” text_font=”||||||||” text_font_size=”14px” link_text_color=”#bf6631″ quote_text_color=”#bf6631″ locked=”off” global_colors_info=”{}”]<\/p>\n

Dans l\u2019histoire du paysage fran\u00e7ais, certains artistes ont choisi l\u2019errance, d\u2019autres l\u2019exotisme ou la rupture. Paul Bocquet appartient \u00e0 une autre lign\u00e9e : celle des peintres pour qui un territoire limit\u00e9 devient un champ d\u2019exploration infini. Reims et ses abords imm\u00e9diats constituent ainsi le centre silencieux de son \u0153uvre \u2014 non comme sujet anecdotique, mais comme espace de m\u00e9ditation picturale.<\/span><\/p>\n

Son retour dans sa ville natale marque un tournant d\u00e9cisif. Loin de l\u2019agitation parisienne et des d\u00e9bats esth\u00e9tiques de la fin du XIX\u1d49 si\u00e8cle, il choisit une voie plus int\u00e9rieure : celle du paysage v\u00e9cu, arpent\u00e9 et observ\u00e9 au fil des saisons.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/02\/Reims_1929-300×240.jpg” alt=”Reims, 1929″ title_text=”Reims, 1929″ force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” 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src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/01\/rue-de-la-bonne-femme-feaubourg-flechambeau-1906-300×250.jpg” alt=”Rue de la Bonne Femme, Feaubourg Flechambeau \u00e0 Reims, 1906″ title_text=”Rue de la Bonne Femme, Feaubourg Flechambeau \u00e0 Reims” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” border_color_all=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22border_color_all%22%93,%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.23″ _module_preset=”default” background_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ custom_margin=”|auto||auto|false|false” box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ locked=”off” global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93,%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22background_color%22%93}”][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/02\/Reims_LHiver-dans-la-montagne-de-Reims-1903-Huile-sur-toile-89-x-116-cm-scaled.jpg” alt=”L’Hiver dans la montagne de Reims, 1903 (Huile sur toile, 89 x 116 cm)” title_text=”L’Hiver dans la montagne de Reims, 1903 (Huile sur toile, 89 x 116 cm)” show_in_lightbox=”on” align=”center” _builder_version=”4.23″ _module_preset=”default” max_height=”1000px” custom_margin=”|30px||30px|false|false” custom_padding=”||||false|false” hover_enabled=”0″ box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-695690f7-1400-435d-ab5d-81e5d8a43692%22:%91%22title_text_color%22%93,%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}” min_height__hover_enabled=”off|desktop” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”L’Hiver dans la montagne de Reims, 1903″ _builder_version=”4.23″ _module_preset=”8383cc78-e988-4112-be71-88f36bab4b22″ title_text_color=”gcid-695690f7-1400-435d-ab5d-81e5d8a43692″ title_font_size=”34px” custom_margin=”|30px|0px|30px|false|true” title_text_color_last_edited=”off|desktop” locked=”off” 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Dans cette toile intitul\u00e9e \u201cHiver dans la Montagne de Reims\u201d n\u2019existent pas seulement des coteaux couronn\u00e9s de vertes frondaisons aux pentes couvertes de vignobles, il y a des flancs d\u00e9nud\u00e9s plant\u00e9s de bouleaux maigres et de sapins dont les verts et les roux s\u2019harmonisent \u00e0 la saison d\u2019hiver avec les ocres des hautes herbes. La Montagne se prolonge en coteaux bleut\u00e9s dans le lointain. La palette est riche et chaude. Le motif laisse pressentir l\u2019attirance qu\u2019aura plus tard le peintre pour ces m\u00eames lieux en toutes saisons. Un homme \u00e2g\u00e9, assis de profil et coiff\u00e9 d\u2019un chapeau, porte une longue barbe blanche, attend devant un feu \u00e9teint (assimil\u00e9 au docteur Jean-Baptiste Langlet).<\/span><\/p>\n

Le 17 juillet 1903, le maire de Reims, Charles Arnould, informe Paul Bocquet que, sur sa proposition, la Commission du Mus\u00e9e a d\u00e9cid\u00e9 l\u2019achat de ce tableau. Il a \u00e9t\u00e9 acquis sur les fonds du Legs Sub\u00e9.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/02\/Reims_Vue-panoramique-de-Reims-1911-Huile-sur-toile.jpg” title_text=”Reims_Vue panoramique de Reims, 1911 (Huile sur toile)” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” border_color_all=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22border_color_all%22%93,%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/09\/reims_vue-de-reims-du-cote-du-bois-damour-1929-huile-sur-toile-1-1-300×194.jpg” alt=”Vue de Reims du cote\u0301 du bois d’amour, 1929 (Huile sur toile)” title_text=”Vue de Reims du cote\u0301 du bois d’amour” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” border_color_all=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22border_color_all%22%93,%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/02\/Reims_Marecages-autour-de-Reims-1923-300×202.jpg” alt=”Reims, 1929″ title_text=”Reims_Mar\u00e9cages autour de Reims, 1923″ show_in_lightbox=”on” align=”center” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/02\/Reims_1919-Huile-sur-toile-300×240.jpg” alt=”Pr\u00e8s de Reims, 1919 (Huile sur toile)” title_text=”Pr\u00e8s de Reims, 1919 (Huile sur toile)” show_in_lightbox=”on” align=”center” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”2393,1200,1199,1198,2389,47,2386,1212″ posts_number=”8″ show_title_and_caption=”off” show_pagination=”off” zoom_icon_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ hover_icon=”L||divi||400″ disabled_on=”off|off|off” _builder_version=”4.23″ _module_preset=”default” title_level=”h6″ title_font=”|300|||||||” title_font_size=”10px” title_line_height=”1.2em” caption_text_align=”center” caption_font_size=”7px” text_orientation=”center” box_shadow_style_image=”preset1″ box_shadow_color_image=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color_image%22%93,%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22zoom_icon_color%22%93}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans l\u2019histoire du paysage fran\u00e7ais, certains artistes ont choisi l\u2019errance, d\u2019autres l\u2019exotisme ou la rupture. Paul Bocquet appartient \u00e0 une autre lign\u00e9e : celle des peintres pour qui un territoire limit\u00e9 devient un champ d\u2019exploration infini. Reims et ses abords imm\u00e9diats constituent ainsi le centre silencieux de son \u0153uvre \u2014 non comme sujet anecdotique, mais […]<\/p>\n","protected":false},"author":2,"featured_media":38,"parent":194,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

\n
\"Paysage<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
\"Paysage<\/figure><\/div>
\"Cathe\u0301drale<\/figure><\/div>
\"Canal<\/figure><\/div><\/div><\/div><\/div>\n\n\n\n
\"L'Hiver<\/figure>
\n

Dans cette toile intitul\u00e9e \"Hiver dans la Montagne de Reims\" n'existent pas seulement des coteaux couronn\u00e9s de vertes frondaisons aux pentes couvertes de vignobles, il y a des flancs d\u00e9nud\u00e9s plant\u00e9s de bouleaux maigres et de sapins dont les verts et les roux s'harmonisent \u00e0 la saison d'hiver avec les ocres des hautes herbes. La Montagne se prolonge en coteaux bleut\u00e9s dans le lointain. La palette est riche et chaude. Le motif laisse pressentir l'attirance qu'aura plus tard le peintre pour ces m\u00eames lieux en toutes saisons. Un homme \u00e2g\u00e9, assis de profil et coiff\u00e9 d\u2019un chapeau, porte une longue barbe blanche, attend devant un feu \u00e9teint (assimil\u00e9 au docteur Jean-Baptiste Langlet).
Le 17 juillet 1903, le maire de Reims, Charles Arnould, informe Paul Bocquet que, sur sa proposition, la Commission du Mus\u00e9e a d\u00e9cid\u00e9 l'achat de ce tableau. Il a \u00e9t\u00e9 acquis sur les fonds du Legs Sub\u00e9.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
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\"La<\/figure>\n\n\n\n
\"Vue<\/figure>\n\n\n\n
\"Cathe\u0301drale<\/figure>\n\n\n\n
\"Temps<\/figure>\n\n\n\n
\"Vue<\/figure>\n\n\n\n
\"Vue<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
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\"Les<\/figure>\n\n\n\n
\"Reims\"<\/figure>\n\n\n\n
\"Le<\/figure>\n\n\n\n
\"Mare\u0301cages<\/figure>\n\n\n\n
\"Le<\/figure>\n<\/figure>\n\n\n\n
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\"Reims<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
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\"Vue<\/figure>\n\n\n\n
\"La<\/figure>\n<\/figure>\n\n\n\n
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\"Liry<\/figure>\n\n\n\n
\"Courlancy,<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
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\"Cathe\u0301drale<\/figure>\n<\/figure>\n\n\n\n
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