{"id":1069,"date":"2023-09-22T19:56:34","date_gmt":"2023-09-22T17:56:34","guid":{"rendered":"https:\/\/paulbocquet.com\/?page_id=1069"},"modified":"2026-03-24T22:28:00","modified_gmt":"2026-03-24T22:28:00","slug":"la-seine","status":"publish","type":"page","link":"https:\/\/paulbocquet.com\/index.php\/oeuvre\/autres-paysages\/la-seine\/","title":{"rendered":"La Seine"},"content":{"rendered":"[et_pb_section fb_built=”1″ admin_label=”Header & FAQ” _builder_version=”4.23″ _module_preset=”default” background_color=”gcid-695690f7-1400-435d-ab5d-81e5d8a43692″ locked=”off” collapsed=”on” global_colors_info=”{%22gcid-695690f7-1400-435d-ab5d-81e5d8a43692%22:%91%22background_color%22%93}”][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”La Seine \u00e0 Valvins” _builder_version=”4.23″ _module_preset=”72fcb216-f1dc-4a6c-8b07-8ac0f000d527″ custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Un retour \u00e0 l\u2019eau apr\u00e8s les ann\u00e9es de guerre” _builder_version=”4.23″ _module_preset=”84181077-5b64-4ef3-ab69-ce8a9969f62a” title_font=”Cormorant Garamond|300|||||||” title_font_size=”36px” title_letter_spacing=”1px” custom_margin=”||10px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

Dans l\u2019\u0153uvre de Paul Bocquet, les paysages de la Seine \u00e0 Valvins occupent une place br\u00e8ve mais significative. Ils apparaissent au lendemain de la Premi\u00e8re Guerre mondiale, alors que le peintre s\u00e9journe encore dans la r\u00e9gion de Fontainebleau. Apr\u00e8s plusieurs ann\u00e9es pass\u00e9es \u00e0 explorer les paysages forestiers, il se tourne vers un motif nouveau : le large cours de la Seine au pont de Valvins<\/strong>, pr\u00e8s de Samois.<\/p>\n

Ce retour vers la rivi\u00e8re n\u2019est pas anodin. Bocquet, dont une grande partie de l\u2019\u0153uvre s\u2019est construite autour des rives de la Vesle, retrouve ici un paysage d\u2019eau, de reflets et de lumi\u00e8re mouvante. Le motif lui offre des \u00e9l\u00e9ments familiers : surface calme de la rivi\u00e8re, berges v\u00e9g\u00e9tales, peupliers align\u00e9s et horizon ouvert.<\/p>\n

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<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/09\/la-seine-scaled.jpg” alt=”Bords de Seine pr\u00e8s de Valvins, Huile sur toile” title_text=”Bords de Seine pr\u00e8s de Valvins” show_in_lightbox=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”2660,2661,2662″ posts_number=”3″ show_title_and_caption=”off” show_pagination=”off” _builder_version=”4.23″ _module_preset=”default” title_level=”h6″ title_font=”|300|||||||” title_text_align=”center” caption_font=”Cormorant Garamond|300|||||||” pagination_font=”Cormorant Garamond|300|||||||” text_orientation=”center” box_shadow_style_image=”preset1″ box_shadow_color_image=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color_image%22%93}”][\/et_pb_gallery][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

Pourtant, contrairement \u00e0 certains paysages champenois, il ne r\u00e9alise jamais de grandes compositions sur ce sujet. Les vues de la Seine \u00e0 Valvins restent des \u0153uvres de dimensions modestes, comme si l\u2019artiste abordait ce motif avec la libert\u00e9 de l\u2019\u00e9tude et du regard imm\u00e9diat plut\u00f4t qu\u2019avec l\u2019ambition d\u2019une composition monumentale.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/01\/la-seine-a-valvins-1921-40-x-26-cm-1-scaled.jpg” alt=”La Seine a\u0300 Valvins, 1921 (Huile sur toile, 40 x 26 cm)” title_text=”La seine a\u0300 Valvins” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22box_shadow_color%22%93,%22gcid-31f03ac4-8397-458d-ba5d-7828186313be%22:%91%22border_color_all%22%93}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/03\/Le-pont-sur-la-Seine-a-Valvins-1931-Huile-sur-toile.jpg” alt=”Le pont sur la Seine \u00e0 Valvins, 1931 (Huile sur toile)” title_text=”Le pont sur la Seine a\u0300 Valvins, 1931 (Huile sur toile)” show_in_lightbox=”on” _builder_version=”4.23″ _module_preset=”default” custom_margin=”||89px|||” box_shadow_style=”preset1″ box_shadow_color=”gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208″ global_colors_info=”{%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22box_shadow_color%22%93}” box_shadow_spread__hover_enabled=”off|desktop”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Un motif unique dans son parcours” _builder_version=”4.23″ _module_preset=”default” title_level=”h2″ title_font=”Cormorant Garamond|300|||||||” title_font_size=”36px” title_letter_spacing=”1px” custom_margin=”||10px||false|false” title_font_size_tablet=”36px” title_font_size_phone=”36px” title_font_size_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

Le site de Valvins pr\u00e9sente pourtant tous les \u00e9l\u00e9ments d\u2019un grand paysage : l\u2019ample plan d\u2019eau de la Seine, le pont aux arches multiples, les berges bord\u00e9es de verdure et les peupliers dont les feuillages prennent le soir des teintes dor\u00e9es. Une petite barque, souvent amarr\u00e9e au bord de l\u2019eau \u2014 surnomm\u00e9e la \u201cbarque Z\u00e9zette\u201d<\/strong> \u2014 compl\u00e8te parfois la sc\u00e8ne.<\/p>\n

Bocquet dessine ce motif dans ses carnets et le peint \u00e0 plusieurs reprises, observant les variations de la lumi\u00e8re estivale ou automnale sur l\u2019eau. Le paysage \u00e9voque parfois, par sa composition et par la pr\u00e9sence des peupliers align\u00e9s, certains bords du Loing peints par Alfred Sisley<\/strong>, notamment dans les vues estivales o\u00f9 la rivi\u00e8re devient un miroir lumineux.<\/p>\n

Malgr\u00e9 ces affinit\u00e9s, le motif de Valvins reste isol\u00e9 dans son \u0153uvre. Il ne constitue pas une s\u00e9rie durable comme les paysages de la Vesle ou de la Champagne, mais plut\u00f4t une parenth\u00e8se dans laquelle l\u2019artiste retrouve, pour un temps, le th\u00e8me de la rivi\u00e8re qui lui est si familier.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.23″ _module_preset=”default” background_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ box_shadow_style=”preset1″ global_colors_info=”{%22gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250%22:%91%22background_color%22%93}”][et_pb_column type=”3_5″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”La Seine \u00e0 Valvins (1920)” _builder_version=”4.23″ _module_preset=”default” title_font=”Cormorant Garamond||||||||” title_text_color=”gcid-31f03ac4-8397-458d-ba5d-7828186313be” custom_margin=”|30px||30px|false|false” custom_padding=”||3px|||” global_colors_info=”{%22gcid-31f03ac4-8397-458d-ba5d-7828186313be%22:%91%22title_text_color%22%93}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” text_font=”|300|||||||” background_layout=”dark” custom_margin=”|30px||30px|false|false” custom_padding=”||3px|||” global_colors_info=”{}”]

Parmi les \u0153uvres r\u00e9alis\u00e9es sur ce motif figure La Seine \u00e0 Valvins<\/strong>, dat\u00e9e de 1920.<\/p>\n

Cette toile s\u2019inscrit dans la p\u00e9riode qui suit imm\u00e9diatement la guerre, lorsque Bocquet retrouve progressivement une activit\u00e9 artistique plus stable. Le paysage pr\u00e9sente la Seine dans un moment de calme, avec ses rives v\u00e9g\u00e9tales et ses reflets lumineux.<\/p>\n

L\u2019int\u00e9r\u00eat du tableau r\u00e9side moins dans la description d\u00e9taill\u00e9e du site que dans l\u2019\u00e9quilibre des masses et des tonalit\u00e9s. L\u2019eau occupe une place centrale, refl\u00e9tant le ciel et la v\u00e9g\u00e9tation environnante, tandis que les arbres et les berges structurent l\u2019espace. Comme dans ses paysages champenois, Bocquet privil\u00e9gie l\u2019accord g\u00e9n\u00e9ral des couleurs et la sensation atmosph\u00e9rique plut\u00f4t que l\u2019effet spectaculaire.<\/p>\n

<\/h2>[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2026\/02\/La-Seine_La-Seine-a-Valvins-1920-Huile-sur-toile.jpg” alt=”La Seine \u00e0 Valvins, 1920 (Huile sur toile)” title_text=”La Seine \u00e0 Valvins” show_in_lightbox=”on” align=”center” _builder_version=”4.23″ _module_preset=”default” custom_margin=”|30px||30px|false|false” custom_padding=”||3px|||” box_shadow_style=”preset1″ box_shadow_spread=”-12px” box_shadow_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/09\/la-seine_bords-de-seine-et-peupliers-en-ete-huile-sur-toile.jpg” alt=”Bords de Seine et peupliers en e\u0301te\u0301 (Huile sur toile)” title_text=”Bords de Seine et peupliers en e\u0301te\u0301” show_in_lightbox=”on” _builder_version=”4.23″ _module_preset=”default” hover_enabled=”0″ box_shadow_style=”preset5″ box_shadow_horizontal=”-74px” box_shadow_vertical=”-72px” box_shadow_spread=”-46px” box_shadow_color=”gcid-49867634-93e9-4875-ba57-768929494fb1″ global_colors_info=”{%22gcid-49867634-93e9-4875-ba57-768929494fb1%22:%91%22box_shadow_color%22%93}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Une variation dans l\u2019\u0153uvre du paysagiste” _builder_version=”4.23″ _module_preset=”default” title_level=”h2″ title_font=”Cormorant Garamond|300|||||||” title_font_size=”36px” title_letter_spacing=”1px” custom_margin=”||10px||false|false” title_font_size_tablet=”36px” title_font_size_phone=”36px” title_font_size_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_heading][et_pb_text _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]

Les vues de la Seine \u00e0 Valvins t\u00e9moignent ainsi d\u2019un moment particulier dans la trajectoire du peintre. Elles apparaissent apr\u00e8s les ann\u00e9es d\u2019exil et de guerre, comme un retour vers un motif familier : la rivi\u00e8re et ses reflets.<\/p>\n

M\u00eame si ce sujet ne deviendra jamais central dans sa production, il r\u00e9v\u00e8le la constance du regard de Bocquet. Que ce soit sur la Vesle, sur la Seine ou dans les paysages m\u00e9diterran\u00e9ens, l\u2019artiste demeure fid\u00e8le \u00e0 la m\u00eame recherche : observer la nature avec patience et traduire la lumi\u00e8re dans ses variations les plus subtiles.<\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/paulbocquet.com\/wp-content\/uploads\/2023\/09\/la-seine-a-valvins-1900-scaled.jpg” alt=”La Seine \u00e0 Valvins, 1900 (Huile sur toile)” title_text=”La Seine a\u0300 Valvins” show_in_lightbox=”on” force_fullwidth=”on” _builder_version=”4.23″ _module_preset=”default” box_shadow_style=”preset1″ box_shadow_color=”gcid-0ec00ca9-ec06-4784-a057-5ece2d56f250″ 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Dans l\u2019\u0153uvre de Paul Bocquet, les paysages de la Seine \u00e0 Valvins occupent une place br\u00e8ve mais significative. Ils apparaissent au lendemain de la Premi\u00e8re Guerre mondiale, alors que le peintre s\u00e9journe encore dans la r\u00e9gion de Fontainebleau. Apr\u00e8s plusieurs ann\u00e9es pass\u00e9es \u00e0 explorer les paysages forestiers, il se tourne vers un motif nouveau : […]<\/p>\n","protected":false},"author":2,"featured_media":22,"parent":1073,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n

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Un an apr\u00e8s l\u2019armistice de 1918, il se d\u00e9tourne momentan\u00e9ment de la for\u00eat pour un motif nouveau : la Seine au Pont de Valvins, \u00e0 Samois. Il revient \u00e0 l'eau, \u00e0 la rivi\u00e8re qu'il aime tant, et dont sans le vouloir, il s'est \u00e9loign\u00e9 plus de quatre ans.
Pourtant, il n'en fera jamais de tableaux aux dimensions importantes quoique le sujet s'y pr\u00eatait : le large plan d'eau de la Seine, le pont aux arches multiples, les berges verdoyantes au-del\u00e0 desquelles des peupliers et de lointaines masses de verdure prennent le soir des teintes dor\u00e9es, une petite barque accroch\u00e9e au bord de l'eau, dite \"barque Z\u00e9zette\", le tout dans une lumi\u00e8re vive d'\u00e9t\u00e9 ou d'automne. Il le dessine aussi sur son album. Ce motif est unique et le restera dans sa carri\u00e8re. On \u00e9voque certains bords du Loing de Sisley, en \u00e9t\u00e9, avec les peupliers align\u00e9s.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"P.B.<\/figure>\n<\/figure>\n","_et_gb_content_width":"","footnotes":""},"class_list":["post-1069","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/1069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/comments?post=1069"}],"version-history":[{"count":8,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/1069\/revisions"}],"predecessor-version":[{"id":3142,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/1069\/revisions\/3142"}],"up":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/pages\/1073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/media\/22"}],"wp:attachment":[{"href":"https:\/\/paulbocquet.com\/index.php\/wp-json\/wp\/v2\/media?parent=1069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}